Kentucky Fried Chicken. The greasy airport comfort food for those of us who miss flights. I miss a lot of flights doing what I do, that is, waiting 'til the last possible second to leave for the airport. Ok, sometimes I don't do it on purpose, like today, when I just didn't plan out how long it would take to pack and clean up the place I was staying. It was a friend's sister's boyfriend's place, you see, so we're basically best buds, and you gotta leave the place nice. I washed the sheets, washed his towels, put and packed everything we used in the closet all nice-like for that guy. I kinda liked him, and he was real nice, he paid for all our meals and everything, but then again you don't really know if he was that nice, or if it was just so easy because he was loaded. The guy's a lawyer, so you know he's got dough. He keeps this apartment in Manhattan, and he never lives in it, for Christ stake. Doesn't even bother to sublet it out. Now that's money.
As for me, I try to conserve as much as I an, which is partly why the end of this trip has been so crummy. True, I probably could have just taken a cab for $45 instead of insisting on playing the subways for $7. And true, I probably would have saved time if I hadn't been so insistent on having a light lunch instead of just sitting down somewhere regular and being done with it. I ended up paying $10 for a chopped liver bagel and some juice. This was a horrible idea, because not only do I hate chopped lvier, I also watched the movie Silence of the Lambs last night, and the thought of human liver--ugh. Let's just leave that one be.
But anyway, now I'm sitting in the airport terminal, my flight's due to take off in four minutes, and I'm probably gonna drop another seven bucks for KFC. I really hate that place, but it'll probably fit the bill for this occasion, I think. It always knocks me out too, which is the worst. I figure I'll get the chicken tenders or maybe some hot wings, keep it under 10 bucks, knock out for the few hours I'm in this terminal, then be awake by the plane ride. Times like this I wish I had a nice, fat joint on me. Pass the time in some ignorant, babbling bliss.
How did it come to this? The late thing, I mean. I'm just saying it like that, because for as long as I can remember, I've been either late or barely on time to everything. It's a very rare case when I'm early for something. Even when it's something important, and I know it's important, like an interview or something and not just class, I still manage to just barely get in by the alotted time. See, I think in the past I wasn't too sure of myself or something, and I didn't like being the first few people there and having to talk to people. It just made me uncomfortable, so what I did, I got in the habit of purposefully going a few minutes late. Then the teacher would already be talking, or the music playing and whatever, and I could just sit in the dark. That was really it. I was shy. Now I'm not so shy anymore, but I'm in this habit and it's just been impossible to break out of. I really hate it, actually. It makes you miss flights.
I honesty don't really know what my view of life is these days. I grew up an optimist, I think. If that means keeping your mind a little naive, a little ignorant, and seeing the world a little more airbrushed than most, then that's what I was. I think I still have that mostly, I tend to be a bit more naive and trust people more. But I also lie a lot, and don't trust myself too much. I guess I'm just so used to seeing good things, that when bad things do happen and shake up my world a little bit, I get so absorbed over them. That's probably why most of my blogs sound so damn negative.
I can't really say why it's good to be so optimistic. I mean, you get a lot of confindence in yourself, and on most days I go out and think I can damn well conquer this world. But then you miss a lot of flights in the process. That brings you down pretty low, like you realize you're only human, and you can't rise above this mess. I ain't got no wings, not enough anyway to float above all this ringin'.
I've just been thinking, and I realize that as a procrastinator is a part of how I understand myself. Like, it's really embedded, just like how I think of myself as Asian, as a person with dreads, as any other physical trait. Procrastinator. Like it's really a part of me, and I can't change it and all. I think that's probably why I'm so late for everything, because I think I will be. The habit has become trait, the trait has turned into a self-fulfilling prophecy. Part of being an optimist is thinking that you can change the parts about the world that you don't like, which is to emphasize that you can change it. That also then means that youi can change the parts about yourself that you don't like. Now that I've realized this, I think I'll try to change my mindset. I think I'll try and procrastinate less, and leave myself more time for things. I mean, I think it's pretty important now, and I'm sure it'll be pretty important in a few years when you gotta start playing around with big money and stuff. So this'll be the new leaf for me.
One day I'll look back on this article, and realize that as an optimist, one of your overriding reflexes is to want your blogs to end well.
Friday, February 27, 2009
A New Mental Manifesto
I used to be rather unhappy with myself. I didn't like the way I looked, dressed, talked, acted around people. The only thing I really did, that I thought I did well, was play video games. Maybe some basketball, but in any sort of social situation I was a horrible klutz. For one thing I stuttered. Like a madman. Maybe a bad tape deck. I was also chubbier than I liked, and for the longest time I had no idea where all the cool kids bought their clothes.
I prayed a lot more back then. One of my prayers was, see, I asked God to make me cool. Popular. I wanted to be loved, just like everyone else, but I believe this desire screams a little louder in me than in others. I had good parents, but they were never too affectionate or nothing. And I've never really had a girlfriend. John Mayer says it pretty well: "Just wanna be liked. Just wanna be funny."
The beauty of it all, though, now that I'm here, is this: The genuine dissatisfaction with myself really spurned me to greater heights. I became the person I set my sights on. I really did. I got to be pretty happy with the person I had become. I'm not sure if God worked this out for me or what, but I guess I sorta believe it. Anyway, I started getting all complacent-like, see, and that's the dangerous part. I feel like I havn't really grown ever since I started feeling this way.
So what I'm gonna do, I'm gonna go back and take my old mindset, with some caveats. The mindset is that I'm gonna be dissatisfied with stuff about me. That won't be too hard, I don't think I'll have to dig too deep for that. The caveat, though, is to take some sort of real, progressive action to fix it. See, I think the stuff I fixed before was some real silly stuff that you just kind of get rid of by growing older. This new stuff though, it's pretty persistent. So the caveat is, I'm gonna force some growth on me.
You see, I believe that the greats in this world, most of them, didn't start off so hot. They were slobs and losers, kind of like me, maybe even worse off, some of them. But what made them great, was they were all, at one time or another, in a position where they either had to do something, or die. Not necessarily die in terms of really dying, you know, but just die in terms of not surviving.
Here's what I mean. A few weeks ago, we interviewed this film director. His name isn't important, but he isn't even 40 years old yet, and his movies have bought in one and a half billion dollars. That's huge. Anyway, this guy he said that if he hadn't gotten into NYU and gotten his start there, he probably would have just sat on his mother's couch all day and been a nobody. A forty-year-old nobody. So that's kind of how I feel about success. You find yourself in a position where you can either do it, or not, and the complications for 'not' mean something that would be certain death.
How that relates to me, is see, I plan to put myself in a spot where I'm either gonna grow the way I want to, or I'm not gonna get any further. I have a half-baked plan for how to do this, that might take about three or four months. I havn't figured out all of it though, so you might have to wait for the next entry to hear about it. It'll be pretty extraordinary, though, but I might have to not tell my parents about it. They'll probably freak out.
I prayed a lot more back then. One of my prayers was, see, I asked God to make me cool. Popular. I wanted to be loved, just like everyone else, but I believe this desire screams a little louder in me than in others. I had good parents, but they were never too affectionate or nothing. And I've never really had a girlfriend. John Mayer says it pretty well: "Just wanna be liked. Just wanna be funny."
The beauty of it all, though, now that I'm here, is this: The genuine dissatisfaction with myself really spurned me to greater heights. I became the person I set my sights on. I really did. I got to be pretty happy with the person I had become. I'm not sure if God worked this out for me or what, but I guess I sorta believe it. Anyway, I started getting all complacent-like, see, and that's the dangerous part. I feel like I havn't really grown ever since I started feeling this way.
So what I'm gonna do, I'm gonna go back and take my old mindset, with some caveats. The mindset is that I'm gonna be dissatisfied with stuff about me. That won't be too hard, I don't think I'll have to dig too deep for that. The caveat, though, is to take some sort of real, progressive action to fix it. See, I think the stuff I fixed before was some real silly stuff that you just kind of get rid of by growing older. This new stuff though, it's pretty persistent. So the caveat is, I'm gonna force some growth on me.
You see, I believe that the greats in this world, most of them, didn't start off so hot. They were slobs and losers, kind of like me, maybe even worse off, some of them. But what made them great, was they were all, at one time or another, in a position where they either had to do something, or die. Not necessarily die in terms of really dying, you know, but just die in terms of not surviving.
Here's what I mean. A few weeks ago, we interviewed this film director. His name isn't important, but he isn't even 40 years old yet, and his movies have bought in one and a half billion dollars. That's huge. Anyway, this guy he said that if he hadn't gotten into NYU and gotten his start there, he probably would have just sat on his mother's couch all day and been a nobody. A forty-year-old nobody. So that's kind of how I feel about success. You find yourself in a position where you can either do it, or not, and the complications for 'not' mean something that would be certain death.
How that relates to me, is see, I plan to put myself in a spot where I'm either gonna grow the way I want to, or I'm not gonna get any further. I have a half-baked plan for how to do this, that might take about three or four months. I havn't figured out all of it though, so you might have to wait for the next entry to hear about it. It'll be pretty extraordinary, though, but I might have to not tell my parents about it. They'll probably freak out.
Sunday, February 22, 2009
New York:: Quick Whirlwinds Massacre, Followed By Boredom
New York City has probably gotten the better of us.
It's the end of our third day here, Jack and I. He spent the whole day in bed, laid low by some disease curse that this city has thrown over his head. He was throwing up early this morning, and as far as I can tell, has spent the day indoors in our tiny apartment, recuperating. I have had slightly better luck, being on my feet most of the day and getting to see the hip Museum of Modern Art. However, I will remember this day to be the first and last time I will eat at White Castle.
The first few days where a whirlwind; we challenged the city, stood tall for as long as we could, garnered what little drug-induced sleep we managed to steal, and generally lived hard. Jack's sister has lived here long enough to know what's what, and with her help we hit a good mix of art galleries/hipster restaurants/expensive restaurants during the days. Our nights we spent at strip clubs and bars that, in a rare occurrence, not only sold Natural Ice in 24 ounces but boasted that as its most popular choice among its patrons. In hindsight, this is probably what pushed poor Jack over the brink.
I find myself acclimatizing to the city faster than I thought I would. I remember being very intimidated at first. The people seem unapproachable, the pace too quick, and the help seemed ready to yell at you if you did anything out of line. This has all but faded away, thanks to a few good drunken nights and a couple of rides on the subway. Navigating the public transit always makes you feel like a local. I walk faster, going back to my frantic half-walk half-race that I controlled before I bought my bike in LA. This is a place I could see myself living for a while, and enjoying the hell out of (although I would need more money).
It's the end of our third day here, Jack and I. He spent the whole day in bed, laid low by some disease curse that this city has thrown over his head. He was throwing up early this morning, and as far as I can tell, has spent the day indoors in our tiny apartment, recuperating. I have had slightly better luck, being on my feet most of the day and getting to see the hip Museum of Modern Art. However, I will remember this day to be the first and last time I will eat at White Castle.
The first few days where a whirlwind; we challenged the city, stood tall for as long as we could, garnered what little drug-induced sleep we managed to steal, and generally lived hard. Jack's sister has lived here long enough to know what's what, and with her help we hit a good mix of art galleries/hipster restaurants/expensive restaurants during the days. Our nights we spent at strip clubs and bars that, in a rare occurrence, not only sold Natural Ice in 24 ounces but boasted that as its most popular choice among its patrons. In hindsight, this is probably what pushed poor Jack over the brink.
I find myself acclimatizing to the city faster than I thought I would. I remember being very intimidated at first. The people seem unapproachable, the pace too quick, and the help seemed ready to yell at you if you did anything out of line. This has all but faded away, thanks to a few good drunken nights and a couple of rides on the subway. Navigating the public transit always makes you feel like a local. I walk faster, going back to my frantic half-walk half-race that I controlled before I bought my bike in LA. This is a place I could see myself living for a while, and enjoying the hell out of (although I would need more money).
Tuesday, February 17, 2009
Too Many Waking Hours
Strange phenomenon squeezed into small packages, then packaged together in giant monstrosities of foam and plaster and astro-turf. The city of Las Vegas is not real, but the lights that float above it are. Loud arguments with smiling faces, shoving each other and tipping off the security. These people need to go, they said, and escorted the two of us out in different directions: on towards the castle, the other towards the bay. Never step foot in this giant black pyramid ever again for the rest of the night! They said this at 7am. It would be a hard, difficult day.
It had been a grueling night. Several hours of bumper-induced hysteria, throttled downwards by the drugs, then bought upwards once again by the screaming rage. Cars parked all around us were silent one second, then screaming, flashing, gnawing on their dashboards the next, the scream of tires and wind, gorillas manning every steering wheel. Their white knuckles clutched around a dirge of greed and lust. Dear lord, would you look at this strip club! You couldn't buy a dream like this anywhere except the place next door, and every place next door, for the length of this city. Good luck fella, once you walk out those black painted doors you transform right back into the poor schmoe in a cab, over his head. Good luck with the recession, ya bastard. No re-entry, and cover charge cost thirty dollars, see you in hell you sonuvabitch!
Spa treatment was hell, hours and hours of painfully alert paranoia fighting against the stupors of too many waking hours. You couldn't move too much, it would upset the vitamins from entering your skin. Guy wouldn't stop talking, but when he did he took the shape of a mystic, smoke coming from his hair and a million snake skins dangling from his belt. His white coat transformed into an unsteady haze, and he stared down at your naked back with a primal focus. No way around this one, he'd have to beat his way down through the pulp. But then you looked at him and he looked like... well, he looked Polish. Only the film will tell for sure, at this point.
It had been a grueling night. Several hours of bumper-induced hysteria, throttled downwards by the drugs, then bought upwards once again by the screaming rage. Cars parked all around us were silent one second, then screaming, flashing, gnawing on their dashboards the next, the scream of tires and wind, gorillas manning every steering wheel. Their white knuckles clutched around a dirge of greed and lust. Dear lord, would you look at this strip club! You couldn't buy a dream like this anywhere except the place next door, and every place next door, for the length of this city. Good luck fella, once you walk out those black painted doors you transform right back into the poor schmoe in a cab, over his head. Good luck with the recession, ya bastard. No re-entry, and cover charge cost thirty dollars, see you in hell you sonuvabitch!
Spa treatment was hell, hours and hours of painfully alert paranoia fighting against the stupors of too many waking hours. You couldn't move too much, it would upset the vitamins from entering your skin. Guy wouldn't stop talking, but when he did he took the shape of a mystic, smoke coming from his hair and a million snake skins dangling from his belt. His white coat transformed into an unsteady haze, and he stared down at your naked back with a primal focus. No way around this one, he'd have to beat his way down through the pulp. But then you looked at him and he looked like... well, he looked Polish. Only the film will tell for sure, at this point.
Walking Dualities
There are two kinds of walking for me, and a lot of my life is dependent on which one I'm engrossed in at the time. The first, by any conventional means of measurement, is faster. Walking this way is walking with a purpose, driven, heading to class, walking along dark city streets to warmth, and such and such. Depending on where I am, I tend to walk as fast or faster than the people around me--however, irregardless of where I am, when I walk like this I see very little.
The second type of walking is not really walking at all, but something more akin to meandering, or wandering, and sometimes I just shuffle back and forth in the same area. I think I might look like a ghost. Speed-wise, this tends to be much slower than anyone else' pace. It's the kind of pace where you're part walking, part considering how speed itself is entirely relative, and that a rocket ship flying inches in front of your face seems to be going much faster than one flying perpendicular to you a hundred miles away. And I meander, often with music playing in my ear, and I notice people. I see the interesting things that people wear.
In this second state of walking, I tend to smile more than I like to. Smiling to strangers can do a lot of good things for you like make you seem endearing or non-threatening, but only the right type of smile, and the one I usually find myself with is not of this nature. The one I have on makes me look stupid and empty-headed. This is why I try to suppress this bastard smile. And there is nothing more silly than an empty-headed individual wandering around in a crowd trying hard not to smile.
The second type of walking is not really walking at all, but something more akin to meandering, or wandering, and sometimes I just shuffle back and forth in the same area. I think I might look like a ghost. Speed-wise, this tends to be much slower than anyone else' pace. It's the kind of pace where you're part walking, part considering how speed itself is entirely relative, and that a rocket ship flying inches in front of your face seems to be going much faster than one flying perpendicular to you a hundred miles away. And I meander, often with music playing in my ear, and I notice people. I see the interesting things that people wear.
In this second state of walking, I tend to smile more than I like to. Smiling to strangers can do a lot of good things for you like make you seem endearing or non-threatening, but only the right type of smile, and the one I usually find myself with is not of this nature. The one I have on makes me look stupid and empty-headed. This is why I try to suppress this bastard smile. And there is nothing more silly than an empty-headed individual wandering around in a crowd trying hard not to smile.
Sunday, February 8, 2009
Running With Devils
Joseph Stieglitz walked by the same apartment each day, but he did not live there, nor did he need to pass by it to go to school. A girl lived in this apartment, her name was Frieda Milton. She was not pretty, cooked only decently, did not choose to live vicariously, and spent most of her life indoors. Which is why Joseph Stieglitz would always pass by the apartment where Frieda Milton lived, because he knew she would be there. The two never spoke a word.
One day Joseph Stieglitz was walking up a hill, the same hill he walked up every day. He was a very thin man, and lanky, with great bony joints that stood out at such odd angles that when he walked, he looked like he had two or three more joints on each limb than he really did. Which is all to say that he moved like a puppet, haltingly, and at odds with himself (except sometimes he would drink, and then his movements smoothed out considerably). On his particular occasion he was not drunk, rather unfortunately, because today he planned to knock on Frieda Milton's door. And he was nervous. The tall, lanky, bony man had a face that was constantly biting its own lip, with furrowed eyebrows forever in a parabola of doubt. The eyes were big and round, but never stayed fixed on one location for too long, and the cheeks were deceptively rounded. There was not a sure thing on this face, except for the nose, which was surely there. And the door was surely in front of him.
Knock, knock. The cruel rasping sound of reinvention. Joseph's knuckles had bruised themselves on the hard wood before he knew what he was doing, and all the thoughts he carried with him up that hill exploded into a white frenzy of panic. She might answer the door now, he thought. Footsteps. But wait, where they really footsteps? Nothing yet. She isn't home, she went out, she had to run errands and he would leave a note or better yet just leave and turn around and "Hello Joseph, what you doing here?" And she answered her door. Stammer. Silence. Silence. Silence.
This was all going horribly, not that Joseph had any idea how he wanted this to go. Why was he here anyway? And why was this room so bright? And why was Frieda smiling so much? But she kept smiling, her eyes narrowed, and at that moment both Frieda and Joseph understood. No one said anything still, yet the silence stopped. Frieda took Joseph's hand, and a warm tingle ran in between. She led him in, closed the door behind him, and made passionate love to him on the couch. Then Joseph woke up in his bed, sat up, and went to his kitchen to get a drink. That day, he walked up the same hill and did not knock on the door.
This was all about fourteen years ago. I know because Joseph told me. "Dreams," he said "are when the body separates from the mind. The body stays behind, but the mind wanders as a spirit, and whatever happens in your dream, wherever you find yourself, however cold or hungry or excited or scared you feel, you aren't imaginging it, your mind spirit is actually there, right there, experiencing it. If you dream about going to Paris, it means your mind really went to Paris."
"This is why you shouldn't wake anybody up too fast, unless you really want to harm them. You don't give their mind enough time to wander back. If the mind happens to be too far out, it might not make it back until minutes after the body wakes up, and those minutes can be terrifying."
I am a skeptic. "Does the mind ever get lost forever?" His probably did.
"No, the mind always makes it back."
Joseph was a wack job. He told me he dreamed every night, and he always claimed he could remember them. But he would never tell me about them when I asked. "When I leave," he said, "I don't want anybody to know where to find me."
It was a particularly bad dream that did it. Joseph called me at 3:30AM one night. His voice sounded strangled. He asked simple questions about himself "what's my name? Am I married? Why do I own so many pairs of socks and but only two pairs of pants?" He sounded more and more frustrated, then violent, scared, anxious, and then finally, he grew quiet. "All I have left are dreams," he said. "They're more real than me."
A few hours later he walked out into the cold morning air. It was still dark. I never saw him again.
One day Joseph Stieglitz was walking up a hill, the same hill he walked up every day. He was a very thin man, and lanky, with great bony joints that stood out at such odd angles that when he walked, he looked like he had two or three more joints on each limb than he really did. Which is all to say that he moved like a puppet, haltingly, and at odds with himself (except sometimes he would drink, and then his movements smoothed out considerably). On his particular occasion he was not drunk, rather unfortunately, because today he planned to knock on Frieda Milton's door. And he was nervous. The tall, lanky, bony man had a face that was constantly biting its own lip, with furrowed eyebrows forever in a parabola of doubt. The eyes were big and round, but never stayed fixed on one location for too long, and the cheeks were deceptively rounded. There was not a sure thing on this face, except for the nose, which was surely there. And the door was surely in front of him.
Knock, knock. The cruel rasping sound of reinvention. Joseph's knuckles had bruised themselves on the hard wood before he knew what he was doing, and all the thoughts he carried with him up that hill exploded into a white frenzy of panic. She might answer the door now, he thought. Footsteps. But wait, where they really footsteps? Nothing yet. She isn't home, she went out, she had to run errands and he would leave a note or better yet just leave and turn around and "Hello Joseph, what you doing here?" And she answered her door. Stammer. Silence. Silence. Silence.
This was all going horribly, not that Joseph had any idea how he wanted this to go. Why was he here anyway? And why was this room so bright? And why was Frieda smiling so much? But she kept smiling, her eyes narrowed, and at that moment both Frieda and Joseph understood. No one said anything still, yet the silence stopped. Frieda took Joseph's hand, and a warm tingle ran in between. She led him in, closed the door behind him, and made passionate love to him on the couch. Then Joseph woke up in his bed, sat up, and went to his kitchen to get a drink. That day, he walked up the same hill and did not knock on the door.
This was all about fourteen years ago. I know because Joseph told me. "Dreams," he said "are when the body separates from the mind. The body stays behind, but the mind wanders as a spirit, and whatever happens in your dream, wherever you find yourself, however cold or hungry or excited or scared you feel, you aren't imaginging it, your mind spirit is actually there, right there, experiencing it. If you dream about going to Paris, it means your mind really went to Paris."
"This is why you shouldn't wake anybody up too fast, unless you really want to harm them. You don't give their mind enough time to wander back. If the mind happens to be too far out, it might not make it back until minutes after the body wakes up, and those minutes can be terrifying."
I am a skeptic. "Does the mind ever get lost forever?" His probably did.
"No, the mind always makes it back."
Joseph was a wack job. He told me he dreamed every night, and he always claimed he could remember them. But he would never tell me about them when I asked. "When I leave," he said, "I don't want anybody to know where to find me."
It was a particularly bad dream that did it. Joseph called me at 3:30AM one night. His voice sounded strangled. He asked simple questions about himself "what's my name? Am I married? Why do I own so many pairs of socks and but only two pairs of pants?" He sounded more and more frustrated, then violent, scared, anxious, and then finally, he grew quiet. "All I have left are dreams," he said. "They're more real than me."
A few hours later he walked out into the cold morning air. It was still dark. I never saw him again.
Sitting Hammered In Your Automobile
Some names in this article have been changed to protect the innocent.
We planned a fun weekend of good company, drinking and talking but mostly drinking in a cabin on Lake Arrowhead. To this end, unfortunately, we got overzealous and peaked too soon. We peaked in the car.
Lake Arrowhead is an hour and a half away with no traffic. It took us closer to two and a half. That's also how long it took us to get wasted.
Now, I'm not a proponent in any way of drunk driving. I do not condone getting pulled over for open containers in a car. However, I am perfectly fine with having them and not getting caught.
It started out sensibly, as it always does: pick up a few beers, let's say two six-packs, because when we get there it'll probably be harder and more expensive to find decent booze. Then we decided to drink a few as soon as we got past downtown and its requisite police force. There were three of us drinking, one driving. The conversation went from DUI's to other heavy drinking episodes to the people we would theoretically be sharing the weekend with (this would not come to fruition). We repeatedly informed one another that each had repeated what she said.
Somewhere along the end of the first twelve, I passed out, very much asleep, on the road. I am admittedly a lightweight, and sitting still on an empty stomach downing four bottles was... well, and then there were two.
And then I was back! A short nap later I woke up at a gas station, feeling completely sober (this was a lie), and about to run in to use the bathroom. Dave, who was in front of me, knocked down a 'wet floor' sign in his drunken rage. Jack proved unable to process the cashier's directions, and first went to the storage before he found the bathroom. I subsequently beat him to the ladies room. No regrets.
When Dave walked out he bought another 12-pack.
Stella Artois this time. We had already gone through the Red Stripe, and I forget what the other six were. Not that it mattered at this point. And somewhere from the gas station to the cabin (the GPS predicted a 53-minute trip) someone decided that we had to finish ALL the beer we had.
Now that I think of it, it was probably Dave who said: "we're gonna be cleaner-uppers today, right?" Which means we're gonna drink everything, although usually not referring to everything in the car.
And what did we do? We drank. I was getting sick. Thankfully this paralleled a degrading ability to worry about personal health. I could tell Jack was getting sick, because he wise-cracked "after we get there, both of us should just open the door and throw up on each side of the car, on the front lawn." "That would be cool," I replied. Still, twelve beers after twelve in this short a time is nearly impossible. If it were not for the heavy fog that settled in somewhere along our ascent to glory, we would have not stood a chance. As it stood, visibility cut down to nil, you could not see brake lights fifteen feet in front of you, and the pace slowed. The fog was heavy, just like the fog in our minds. Fear and screaming were in good supply It was looking good.
I love college,
I love drinking,
I love women,
And I love college...
Blasted on the stereo a total of four times consecutively, each time bought on by loud, angry requests for 'that song again.' We decided that if one of us had been driving (and therefore driving drunk) in this fog, we would immediately pull over and go to sleep on the side of the road. ("I'm sorry officer, but the driver just ran into these bushes there--no, I'm not the driver, can you see how drunk I am?") The snow built up. We were getting closer. In desperation, we double-fisted the Stellas. Just when we thought there were three left, one for each of us,
"Jack, I found another one in the box!"
"Shit!"
"I'm gonna throw it out the window! No one needs to know, Jack!"
"Ok. Wait, no!"
Jack ripped it out of my hand, then ripped the bottle cap off using the seatbelt. We had lost both can-openers long ago. Bottle caps littered the back seat. Then we got there, and when we did, we were finished. Drunk, sick, angry, a little sadder, and finished, but we were beer-less. Jack tripped on a chain and fell in the snow. I threw up near some trees, and in the process of doing so, dropped my wallet in the snow (this was found several hours later) (we never did get our dignity back). We went inside, and our driver, the great Joseph Stieglitz, along with Jack went to sleep instantly. I spent the rest of the night recovering, feeling angry, and talking very little.
We planned a fun weekend of good company, drinking and talking but mostly drinking in a cabin on Lake Arrowhead. To this end, unfortunately, we got overzealous and peaked too soon. We peaked in the car.
Lake Arrowhead is an hour and a half away with no traffic. It took us closer to two and a half. That's also how long it took us to get wasted.
Now, I'm not a proponent in any way of drunk driving. I do not condone getting pulled over for open containers in a car. However, I am perfectly fine with having them and not getting caught.
It started out sensibly, as it always does: pick up a few beers, let's say two six-packs, because when we get there it'll probably be harder and more expensive to find decent booze. Then we decided to drink a few as soon as we got past downtown and its requisite police force. There were three of us drinking, one driving. The conversation went from DUI's to other heavy drinking episodes to the people we would theoretically be sharing the weekend with (this would not come to fruition). We repeatedly informed one another that each had repeated what she said.
Somewhere along the end of the first twelve, I passed out, very much asleep, on the road. I am admittedly a lightweight, and sitting still on an empty stomach downing four bottles was... well, and then there were two.
And then I was back! A short nap later I woke up at a gas station, feeling completely sober (this was a lie), and about to run in to use the bathroom. Dave, who was in front of me, knocked down a 'wet floor' sign in his drunken rage. Jack proved unable to process the cashier's directions, and first went to the storage before he found the bathroom. I subsequently beat him to the ladies room. No regrets.
When Dave walked out he bought another 12-pack.
Stella Artois this time. We had already gone through the Red Stripe, and I forget what the other six were. Not that it mattered at this point. And somewhere from the gas station to the cabin (the GPS predicted a 53-minute trip) someone decided that we had to finish ALL the beer we had.
Now that I think of it, it was probably Dave who said: "we're gonna be cleaner-uppers today, right?" Which means we're gonna drink everything, although usually not referring to everything in the car.
And what did we do? We drank. I was getting sick. Thankfully this paralleled a degrading ability to worry about personal health. I could tell Jack was getting sick, because he wise-cracked "after we get there, both of us should just open the door and throw up on each side of the car, on the front lawn." "That would be cool," I replied. Still, twelve beers after twelve in this short a time is nearly impossible. If it were not for the heavy fog that settled in somewhere along our ascent to glory, we would have not stood a chance. As it stood, visibility cut down to nil, you could not see brake lights fifteen feet in front of you, and the pace slowed. The fog was heavy, just like the fog in our minds. Fear and screaming were in good supply It was looking good.
I love college,
I love drinking,
I love women,
And I love college...
Blasted on the stereo a total of four times consecutively, each time bought on by loud, angry requests for 'that song again.' We decided that if one of us had been driving (and therefore driving drunk) in this fog, we would immediately pull over and go to sleep on the side of the road. ("I'm sorry officer, but the driver just ran into these bushes there--no, I'm not the driver, can you see how drunk I am?") The snow built up. We were getting closer. In desperation, we double-fisted the Stellas. Just when we thought there were three left, one for each of us,
"Jack, I found another one in the box!"
"Shit!"
"I'm gonna throw it out the window! No one needs to know, Jack!"
"Ok. Wait, no!"
Jack ripped it out of my hand, then ripped the bottle cap off using the seatbelt. We had lost both can-openers long ago. Bottle caps littered the back seat. Then we got there, and when we did, we were finished. Drunk, sick, angry, a little sadder, and finished, but we were beer-less. Jack tripped on a chain and fell in the snow. I threw up near some trees, and in the process of doing so, dropped my wallet in the snow (this was found several hours later) (we never did get our dignity back). We went inside, and our driver, the great Joseph Stieglitz, along with Jack went to sleep instantly. I spent the rest of the night recovering, feeling angry, and talking very little.
Friday, February 6, 2009
Stop Motion Stake Out Aftermath
The tent was flooded, and there was no way to sleep in it. The night was colder than I had hoped for, and the fact that I was essentially tethered to a camera didn't help. So I rode home at 3am with too much on my back, the tripod on my rear shelf, and my sleeping bag wrapped around my arm. I had three jackets on and an orange extension cord curled around my neck. I immediately went to bed on arrival, and slept for... an hour and a half.
Stop motion didn't go for twenty-four hours, it went for closer to nineteen. No one was there, the place was empty as a caboose, even the real campers were leaving for the night. Barren, no doubt about it. And so I left with them.
A man dreams, and his physical body separates from his mental. The mental spirit wanders to the places he sees in his dreams: Paris, London, great rivers and mountain peaks. But they wake him up too quickly, too suddenly, and his spirit has no time to get back. So it's lost momentarily. Depending on how far out it went, the spirit may not return for minutes, hours, days, sometimes weeks.
When I woke up on the couch, I had the sour taste of exhaustion on my lips. It was hard to eat. Chewing took precise control and effort of the jaws. I walked out of the house fully packed except for wallet and keys, and didn't realize until I got to my bike and found myself unable to unlock it. A short walk later, I found myself with no pen or paper for getting names. So I shot groups. There was lots of smoking interspersed.
When I got back I waited outside listening to music on my portable player, and smoked another one. Waited until I heard my roommate's alarm go off, when it did I knocked on the window, got him to open, and collapsed on the couch.
Stop motion didn't go for twenty-four hours, it went for closer to nineteen. No one was there, the place was empty as a caboose, even the real campers were leaving for the night. Barren, no doubt about it. And so I left with them.
A man dreams, and his physical body separates from his mental. The mental spirit wanders to the places he sees in his dreams: Paris, London, great rivers and mountain peaks. But they wake him up too quickly, too suddenly, and his spirit has no time to get back. So it's lost momentarily. Depending on how far out it went, the spirit may not return for minutes, hours, days, sometimes weeks.
When I woke up on the couch, I had the sour taste of exhaustion on my lips. It was hard to eat. Chewing took precise control and effort of the jaws. I walked out of the house fully packed except for wallet and keys, and didn't realize until I got to my bike and found myself unable to unlock it. A short walk later, I found myself with no pen or paper for getting names. So I shot groups. There was lots of smoking interspersed.
When I got back I waited outside listening to music on my portable player, and smoked another one. Waited until I heard my roommate's alarm go off, when it did I knocked on the window, got him to open, and collapsed on the couch.
Tuesday, February 3, 2009
Stop Motion Stake Out
Sweaty pairs of legs walk past me all the time here, flashing glances indicating all the coldness that student athletes are used to. The requisite blue nylon, of course, follows.
I've been sitting outside the athlete gym for six hours now, nursing a stop-motion camera.
Stop motion can be a misleading term. It originally refers to the stuttering 'look' you get when you take a 26 frame per second movie clip and make it 30 frames per minute. But the purpose is not to stop any motion; rather you do it to show the progression of a scene over a length of time.
Things have happened in this length of time that, to an ant, would seem like the monumental building and destroying of empires. Skyscrapers have gone up in minutes, starting with colossal steel supports, bent and twisted by mighty hands, then shimmering canvas spread between them. The giants sported and played among their new creations, taking cover when the sun burned and, growing tired of their confinement, coming out to play again despite the heat. Unfortunately, the worlds of our readers are a little bigger, and for us, very little has happened.
The only thing I've found interest in has been seeing the stars of the day, the players themselves, walking to and fro. This happens rarely, but every now and then Darren Collison walks out of Pauley, across to Acosta. Bo Bo morgan walks, slowly, up a flight of stairs. The youngerster, Jerime Anderson, looks behind him as he walks. They stroll past the tents, this age 18-21 shanty-town erected in their names, their graven images in everybody's minds sinking three pointers and navigating the lane. And as they walk past, not a word is said to them.
I've been sitting outside the athlete gym for six hours now, nursing a stop-motion camera.
Stop motion can be a misleading term. It originally refers to the stuttering 'look' you get when you take a 26 frame per second movie clip and make it 30 frames per minute. But the purpose is not to stop any motion; rather you do it to show the progression of a scene over a length of time.
Things have happened in this length of time that, to an ant, would seem like the monumental building and destroying of empires. Skyscrapers have gone up in minutes, starting with colossal steel supports, bent and twisted by mighty hands, then shimmering canvas spread between them. The giants sported and played among their new creations, taking cover when the sun burned and, growing tired of their confinement, coming out to play again despite the heat. Unfortunately, the worlds of our readers are a little bigger, and for us, very little has happened.
The only thing I've found interest in has been seeing the stars of the day, the players themselves, walking to and fro. This happens rarely, but every now and then Darren Collison walks out of Pauley, across to Acosta. Bo Bo morgan walks, slowly, up a flight of stairs. The youngerster, Jerime Anderson, looks behind him as he walks. They stroll past the tents, this age 18-21 shanty-town erected in their names, their graven images in everybody's minds sinking three pointers and navigating the lane. And as they walk past, not a word is said to them.
Sunday, February 1, 2009
Game Hunter/Beverly Hills
The address of the neighboring house was 3598, as you could see from the numbers blazoned in neon letters atop of the... mailbox.
It was this kind of neighborhood, in which free reign and few gawking eyes invite the eccentric and rich to shape their belongings in all sorts of strange ways. These were middle class people one time, who made money quick, bought more fast cars than they could drove, and spent months at a time in Africa hunting big game. And they decorated their mailboxes, sometimes with beads and hemp, sometimes with purple neon.
And so we drove up the driveway to Chris' house, to partake in that red-blooded American pastime, the watching of the Superbowl. It's a steep driveway, probably to deter invaders. It's also long. We're almost ready to turn back, when we finally see the house. There's an alcove, and sitting in this alcove a sign that reads "drive slowly," along with three cars in tarps. The one in front has the low, hunched rear quarters of a Ferrari. The car to its left is very angular, and the third car behind both of these has the bulge of a supercharger protruding from its hood.
We decide not to park next to these beauties. Jack's BMW is nice, but not in the same league. We pull a little further up the hill, and finally, we see cars closer to our stature in life. Chris' 7 series, an old trailer RV, and a couple of old trucks. In a corner, as if to remind you whose property you're on, sits a shiny silver Rolls Royce.
Dear Lord. The inside of the house is something else. There are very few surfaces that are not emblazoned with some sort of patterned wallpaper, or, lacking that, the patterns of a zebra or leopard skin. In the living room above the TV a giant marlin hangs, along with several deer heads. A grand piano sits opposite this, and a giant zebra pelt is spread over the wall. There's a meat block taking center stage in the kitchen. The den is much the same way; the first thing you see when you walk in is a leopard skin on the wall. Walk a little closer, and you see an old picture of Mr. Shane kneeling over the dead cat it once kept warm. There's a pool table in the middle, full sized in all its glory. We find a Playboy Anniversary Edition hidden inside the front cover of a Life Magazine.
Smoking devices are everywhere. Ivory cigarette pieces. Pipes of all sizes. We probably could have found a knight's helmet filled to the brim with hash if we looked hard enough. Chris says that sometimes they get the dog high.
Our ideas about the place are finally solidified when Chris takes us outside to show us the cars. We start with the block: it's an old Cadillac. It's built like a tank. "Some movie star gave it to my dad," Chris says. The next is the one with a supercharger; turns out it's not a supercharger, just a giant hood scoop that feeds air through an enormous carburetor and into the crate engine of the 60's GTO. It's fiery orange, but the scoop is black. "Highway King" is printed on both sides of the scoop. You don't understand this car until you look inside and see the roll cage. Then you walk behind the car and see the thickest wheels you've seen in your life. "This car isn't legal on the road," Chris said. "My dad took it out, and when he floored it the tail just went back and forth."
The last car is the one we thought was Ferrari. As I took off the tarp, I had the feeling I was undressing a very beautiful woman. Oddly enough, when it came off the red paint was faded, and the car needed a wash. Then again, this car, positioned in front of the other two, was probably the one that got driven. And despite the dirt, it was still a Ferrari, made in a time when the Prancing Stallion was more about a rigid chassis and air-tight suspension than leather and driveability--when there was no such thing as a grand touring Ferrari. It was this time, one thought, where someone could still go to Africa and hunt leopards.
It was this kind of neighborhood, in which free reign and few gawking eyes invite the eccentric and rich to shape their belongings in all sorts of strange ways. These were middle class people one time, who made money quick, bought more fast cars than they could drove, and spent months at a time in Africa hunting big game. And they decorated their mailboxes, sometimes with beads and hemp, sometimes with purple neon.
And so we drove up the driveway to Chris' house, to partake in that red-blooded American pastime, the watching of the Superbowl. It's a steep driveway, probably to deter invaders. It's also long. We're almost ready to turn back, when we finally see the house. There's an alcove, and sitting in this alcove a sign that reads "drive slowly," along with three cars in tarps. The one in front has the low, hunched rear quarters of a Ferrari. The car to its left is very angular, and the third car behind both of these has the bulge of a supercharger protruding from its hood.
We decide not to park next to these beauties. Jack's BMW is nice, but not in the same league. We pull a little further up the hill, and finally, we see cars closer to our stature in life. Chris' 7 series, an old trailer RV, and a couple of old trucks. In a corner, as if to remind you whose property you're on, sits a shiny silver Rolls Royce.
Dear Lord. The inside of the house is something else. There are very few surfaces that are not emblazoned with some sort of patterned wallpaper, or, lacking that, the patterns of a zebra or leopard skin. In the living room above the TV a giant marlin hangs, along with several deer heads. A grand piano sits opposite this, and a giant zebra pelt is spread over the wall. There's a meat block taking center stage in the kitchen. The den is much the same way; the first thing you see when you walk in is a leopard skin on the wall. Walk a little closer, and you see an old picture of Mr. Shane kneeling over the dead cat it once kept warm. There's a pool table in the middle, full sized in all its glory. We find a Playboy Anniversary Edition hidden inside the front cover of a Life Magazine.
Smoking devices are everywhere. Ivory cigarette pieces. Pipes of all sizes. We probably could have found a knight's helmet filled to the brim with hash if we looked hard enough. Chris says that sometimes they get the dog high.
Our ideas about the place are finally solidified when Chris takes us outside to show us the cars. We start with the block: it's an old Cadillac. It's built like a tank. "Some movie star gave it to my dad," Chris says. The next is the one with a supercharger; turns out it's not a supercharger, just a giant hood scoop that feeds air through an enormous carburetor and into the crate engine of the 60's GTO. It's fiery orange, but the scoop is black. "Highway King" is printed on both sides of the scoop. You don't understand this car until you look inside and see the roll cage. Then you walk behind the car and see the thickest wheels you've seen in your life. "This car isn't legal on the road," Chris said. "My dad took it out, and when he floored it the tail just went back and forth."
The last car is the one we thought was Ferrari. As I took off the tarp, I had the feeling I was undressing a very beautiful woman. Oddly enough, when it came off the red paint was faded, and the car needed a wash. Then again, this car, positioned in front of the other two, was probably the one that got driven. And despite the dirt, it was still a Ferrari, made in a time when the Prancing Stallion was more about a rigid chassis and air-tight suspension than leather and driveability--when there was no such thing as a grand touring Ferrari. It was this time, one thought, where someone could still go to Africa and hunt leopards.
Subscribe to:
Posts (Atom)